![\"Bild](\"https:\/\/mkv.miun.se\/skvaderbladet\/wp-content\/uploads\/2024\/03\/nyhetssvallet-3-stolthet-och-fordom-foto-elin-berge-650x366.jpg\")
Pionj\u00e4r f\u00f6r sin tid<\/b><\/p>\n
K\u00e4rleksromanen Stolthet och f\u00f6rdom publicerades av Jane Austen 1813 i en tid d\u00e4r det inte var socialt accepterat f\u00f6r en kvinna att flytta hemifr\u00e5n om man inte var gift. Hon fick inte \u00e4rva, var inte myndig, hade ingen r\u00f6str\u00e4tt och fick inte \u00e4ga egendom. Kvinnofr\u00e5gorna och det som var b\u00f6rjan p\u00e5 kampen om j\u00e4mst\u00e4lldhet tog fart i b\u00f6rjan av 1800-taltet vilket ocks\u00e5 speglar av sig i konst och litteraturen. B\u00e5de Jane Austen och Mary Wallstone-Craft \u00e4r tv\u00e5 banbrytande kvinnliga f\u00f6rfattare som\u00a0 idag ses som pionj\u00e4rer f\u00f6r sin tid. <\/span><\/p>\n Familjen Bennet best\u00e5r av Mr och Mrs Bennet och deras tre d\u00f6ttrar, Jane, Elisabeth och Lydia. De \u00e4r ingen rik familj, men Mrs Bennet \u00e4r desperat och fast besluten att s\u00e5 fort som m\u00f6jligt f\u00e5 sina d\u00f6ttrar bortgifta till f\u00f6rm\u00f6gna m\u00e4n. Elisabeth v\u00e4grar att acceptera att en kvinna ska gifta sig endast f\u00f6r att f\u00e5 sitt eget hem. Hon vill hitta \u00e4kta k\u00e4rlek och f\u00f6lja sin egen v\u00e4g i livet. Samtidigt hotar Mr. Bennets kusin Mr. Collins med att ta \u00f6ver huset om ingen av d\u00f6ttrarna gifter sig och f\u00e5r arvsr\u00e4tt. Som i boken men likas\u00e5 h\u00e4r framst\u00e5r Mr Darcy i b\u00f6rjan som en sj\u00e4lvupptagen och narcissistisk man. Men i slutet f\u00e5r publiken insikten att Mr Darcy egentligen \u00e4r en v\u00e4nlig och gener\u00f6s man som bara \u00e4r r\u00e4dd f\u00f6r sina starka k\u00e4nslor och k\u00e4mpar f\u00f6r att undanh\u00e5lla dem.\u00a0 \u00a0 <\/span><\/p>\n En absolut t\u00f6nt<\/b><\/p>\n Martin Lissel, basbarytonen sj\u00f6ng Mr. Collins som en absolut t\u00f6nt. Kusinen som st\u00e4ndigt hotar med att ta \u00f6ver huset uppfattas som t\u00f6ntig och socialt inkapabel, inte minst p\u00e5 grund av sin f\u00e5niga r\u00f6st och m\u00e5lbrotts liknande r\u00f6st. Ett komiskt till\u00e4gg till f\u00f6rest\u00e4llningen som var en stor skrattmagnet f\u00f6r kv\u00e4llen.\u00a0<\/span><\/p>\n Operan sj\u00f6ngs p\u00e5 svenska och handlingen \u00e4r l\u00e4ttf\u00f6rst\u00e5elig. F\u00f6r n\u00e5gon som aldrig varit p\u00e5 opera f\u00f6rut \u00e4r det inga sv\u00e5righeter att f\u00f6lja med i f\u00f6rest\u00e4llningen. Scenografin var enkel och bestod av fem flyttbara v\u00e4ggar p\u00e5 hjul med d\u00f6rrar. V\u00e4ggarna bytte st\u00e4ndigt plats och d\u00f6rrar \u00f6ppnades och st\u00e4ngdes, vilket gav k\u00e4nslan av de olika rum karakt\u00e4rerna flyttades och\u00a0 befann sig i. <\/span><\/p>\n \u201cJag s\u00f6kte efter en som var som jag\u201d<\/b><\/p>\n \u00a0En k\u00e4rlekshistoria som slutar lyckligt, d\u00e4r det som f\u00f6rst b\u00f6rjade som f\u00f6rakt slutar i k\u00e4rlek och br\u00f6llop. ”Jag s\u00f6kte efter en som var som jag\u201d s\u00e4ger Mr. Darcy till Lizzy efter att ha f\u00f6rklarat sin k\u00e4rlek. Vad \u00e4r det som g\u00f6r Lizzy speciell? \u00c4r det hennes sj\u00e4lvf\u00f6rtroende och egen starka vilja? \u00c4r det f\u00f6r att hon \u00e4r olik andra kvinnor?<\/span><\/p>\n <\/p>\n Tons\u00e4ttare: Daniel Nelson Miguel Chamorro, konsertm\u00e4stare Lizzy: Jessica Elevant Sundsvall – 11.03.24 Jane Austens m\u00e4sterverk Stolthet och f\u00f6rdom har inspirerat och ber\u00f6rt otaliga l\u00e4sare v\u00e4rlden \u00f6ver. Norrlandsoperans version av […]<\/p>\n","protected":false},"author":287,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[173,171,172],"class_list":["post-10363","post","type-post","status-publish","format-standard","hentry","category-kultur","tag-internationella-kvinnodagen","tag-opera","tag-stolthet-och-fordom"],"acf":[],"_links":{"self":[{"href":"https:\/\/mkv.miun.se\/skvaderbladet\/wp-json\/wp\/v2\/posts\/10363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mkv.miun.se\/skvaderbladet\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mkv.miun.se\/skvaderbladet\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mkv.miun.se\/skvaderbladet\/wp-json\/wp\/v2\/users\/287"}],"replies":[{"embeddable":true,"href":"https:\/\/mkv.miun.se\/skvaderbladet\/wp-json\/wp\/v2\/comments?post=10363"}],"version-history":[{"count":0,"href":"https:\/\/mkv.miun.se\/skvaderbladet\/wp-json\/wp\/v2\/posts\/10363\/revisions"}],"wp:attachment":[{"href":"https:\/\/mkv.miun.se\/skvaderbladet\/wp-json\/wp\/v2\/media?parent=10363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mkv.miun.se\/skvaderbladet\/wp-json\/wp\/v2\/categories?post=10363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mkv.miun.se\/skvaderbladet\/wp-json\/wp\/v2\/tags?post=10363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Medverkande<\/span><\/h3>\n
\nLibretto: Sofia Fred\u00e9n
\nDirigent: David Bj\u00f6rkman
\nRegiss\u00f6r: Clara Sv\u00e4rd
\nScenograf och kostym: Marika Feinsilber
\nLjusdesign: Anna Wemmert<\/p>\nNorrlandsoperans symfoniorkester:<\/strong><\/span><\/h4>\n
\nPontus Bj\u00f6rk, Violin
\nMalgorzata Blazczyk, Viola
\nEster Forsberg, Viola
\nBekhbat Tsagaanchuluun, Violoncello
\nJan-Emil Kuisma, Kontrabas
\nPepita del Rio, Fl\u00f6jt
\nJohannes \u00d6gren, Oboe
\nJonas Olsson Hakelind, Klarinett
\nOrvar Johannsson, Horn
\nMalin Silbo-Ohlsson, Trumpet
\nMaximiliano Polo, Slagverk, timpani
\nClaire Moncharmont, Harpa
\nJonas Olsson, Piano<\/p>\nRollista:<\/span><\/h4>\n
\nMr Darcy: David Risberg
\nMrs Bennet: Susanna Levonen
\nMr Bennet: Anders Lundstr\u00f6m
\nJane: Amanda Liljefors
\nMr Bingley: Clifford Lewis
\nLydia: Ingrid Berg
\nMr Wickham: Fabian D\u00fcberg
\nCharlotte: Amie Foon
\nMr Collins: Martin Lissel<\/p>\n
\n
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\n<\/p>\n
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<\/p>\n","protected":false},"excerpt":{"rendered":"